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What is the passive voice of “they did not do the work”?
In such a sentence one is " Dummy Do", the meaningless one the support of which we seek in Simple Present and Simple past where there is no auxiliary or modal but the sentence is to be made negative or interrogative.
Ignore this first DO, the meaningless one, we call do support.
We know 'do support' embodies the tense and person of the finite verb. Thus deduced, the sentence is in simple past.
Let's make it passive.
The work was not done by them.
We know BE Verb in a sentence is conspicuous by its presence in the sense that it precedes the subject in questions and turns negative all by itself without support of any helping verb, irrespective of the fact that BE VERB is there either as a main verb or as an auxiliary.
It is definitely:
The work wasn't done (by them).
We form the passive using the auxiliary "to be" + past participle. "by them" is optional since we usually focus on the action when we use the passive.
The difference between "they did not do the work" and "the work was not done by them" is the latter does not convey that the work was not done, and implies someone else may have. The question that follows is "well who did it?"
I prefer a more specific choice of words to more clearly create the inference that the work was not done at all :
the work was overlooked (by them).
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An action in a sentence can be represented in two ways, namely active and passive voice. the passive voice always uses the past participle form of the main verb irrespective of any tense. only the auxiliary verbs depend upon the sentence given in the active voice. the correct answer is c) the teacher punished the boys who had not done their homework. option c is correct as the subject of the given sentence (teacher) comes in the place of the object(the boys). here, 'who had not done their homework' gives an indication of which group of boys the teacher punished. also, the past participle form of the main verb with the helping verb 'was' is used. options a,b, and d are wrong as the given sentence is not in the past perfect tense, the phrase 'who had not done their homework' is placed wrong, and the given sentence is not in the past continuous tense respectively..
So, did you steal your bike, or was your bike stolen? Will you take out your tonsils, or will your tonsils be taken out? Mastering the Passive Voice is a crucial rite of passage for any English learner, as it can change the meaning of a sentence entirely. However, as this versatile voice can be used with any grammar tense, this is often much more easily said than done, as no sooner have students established just when to use it than along comes the more daunting challenge of actually using it correctly. This homework sheet enables students to practise using the Passive Voice through a range of progressively challenging exercises.
After downloading your PDF: print it immediately or save and print later. Answers are provided for teachers on the second page.
Make your own worksheets with the free EnglishClub Worksheet Maker !
Active and passive voice.
There are two main “voices” in English writing: the active voice and the passive voice. You’ve probably heard a lot about them—and you’ve probably been warned away from the passive voice. But what exactly are they?
In the simplest terms, an active voice sentence is written in the form of “A does B.” (For example, “Carmen sings the song.”) A passive voice sentence is written in the form of “B is done by A.” (For example, “The song is sung by Carmen.”) Both constructions are grammatically sound and correct. Let’s look at a couple more examples of the passive voice:
You may have noticed something unique about the previous two sentences: the subject of the sentence is not the person (or thing) performing the action. The passive voice “hides” who does the action. Despite these sentences being completely grammatically sound, we don’t know who hit “me” or what struck the car.
The passive is created using the verb to be and the past participle. When identifying passive sentences, remember that to be has other uses than just creating the passive voice. “She was falling” and “His keys were lost” are not passive sentences. In the first, to be is a continuous past verb, and in the second to be is past tense linking verb. There are two key features that will help you identify a passive sentence:
As you read at the two sentences below, think about the how the different voice may affect the meaning or implications of the sentence:
The passive choice slightly emphasizes “the rate of evaporation,” while the active choice emphasizes “the size of an opening.” Simple. So why all the fuss? Because passive constructions can produce grammatically tangled sentences such as this:
Groundwater flow is influenced by zones of fracture concentration, as can be recognized by the two model simulations (see Figures 1 and 2), by which one can see . . .
The sentence is becoming a burden for the reader, and probably for the writer too. As often happens, the passive voice here has smothered potential verbs and kicked off a runaway train of prepositions. But the reader’s task gets much easier in the revised version below:
Two model simulations (Figures 1 and 2) illustrate how zones of fracture concentration influence groundwater flow. These simulations show . . .
To revise the above, all we did was look for the two buried things (simulations and zones) in the original version that could actually do something, and we made the sentence clearly about these two nouns by placing them in front of active verbs. This is the general principle to follow as you compose in the active voice: Place concrete nouns that can perform work in front of active verbs.
Are the following sentences in the active or passive voice? How can you tell?
As we’ve mentioned, the passive voice can be a shifty operator—it can cover up its source, that is, who’s doing the acting, as this example shows:
It’s this ability to cover the actor or agent of the sentence that makes the passive voice a favorite of people in authority—policemen, city officials, and, yes, teachers. At any rate, you can see how the passive voice can cause wordiness, indirectness, and comprehension problems.
Passive | Question | Active |
---|---|---|
Your figures in order to determine the coefficient of error. The results when the situation is judged appropriate. | Who analyzes, and who will announce? | have reanalyzed your figures in order to determine the range of error. will announce the results when the time is right. |
With the price of housing at such inflated levels, those loans off in any shorter period of time. | Who can’t pay the loans off? | With the price of housing at such inflated levels, cannot pay off those loans in any shorter period of time. |
After the arm of the hand-held stapler down, the blade from the magazine the top-leaf spring, and the magazine and base. | Who pushes it down, and who or what raises it? | After push down on the arm of the hand-held stapler, raises the blade from the magazine, and the magazine and base move apart. |
However, market share 5.25-inch diskettes as is shown in the graph in Figure 2. | Who or what is losing market share, who or what shows it? | However, are losing market share as the graph in shows. |
For many years, federal regulations concerning the use of wire-tapping . Only recently tighter restrictions on the circumstances that warrant it. | Who has ignored the regulations, and who is now imposing them? | For many years, have ignored federal regulations concerning the use of wire-tapping. Only recently has imposed tighter restrictions on the circumstances that warrant it. |
Convert these passive voice sentences into the active voice. Why is the active voice a better choice for each of these sentences?
Don’t get the idea that the passive voice is always wrong and should never be used. It is a good writing technique when we don’t want to be bothered with an obvious or too-often-repeated subject and when we need to rearrange words in a sentence for emphasis. The next page will focus more on how and why to use the passive voice.
They were doing homework. The passive voice of this statement is …………………..
A. Homework were done.
B. Homework were being done.
C. Homework was being done
D. Homework is being done.
Select your answer:
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The psychology of writing from a bilingual perspective. .
Posted June 27, 2024 | Reviewed by Devon Frye
A recent study conducted last October at the University of Birmingham found that exposure to poor grammar can lead to physical stress. The researchers studied 41 adults and exposed them to grammatical errors. The participants not only mentally cringed but also experienced a decrease in their heart rate. Their autonomic nervous system was stressed because the cognitive effort to process the language took a toll on their physiological system.
What can explain this response?
Writing has an intimate connection with both psychology and physiology. Psychology is fundamental to the art and craft of writing, in part because most writers make an effort to write in their own voice. But what is this elusive thing we call "voice"?
Many beginning authors struggle to find their own “voice.” As George Gopen, professor emeritus of rhetoric at Duke, argued, we do not find our voice and then write; instead, we write and then find our voice.
So how do we define our writerly voice—the sound of our prose? And how do we attain and refine it? I will draw on the literature of rhetoric and composition, as well as my research on the experiences of bilingual writers, to answer these questions.
I define the writer's voice as the sum of the choices a writer makes in grammar, punctuation, and usage. I will illustrate this definition with examples from a non-native English writer who has just arrived in the United States. These examples are drawn from my Ph.D. research on zero-generation students.
During a class discussion about coronavirus , the teacher asked, “Is it morally acceptable not to practice social distancing?” In reply, one zero-generation student, who has been learning English for only three years, wrote the following response:
“Following the guidelines of public health officials is not optional, just like how strictly not following the law is punishable. It is recommended to keep the one-meter distance. Unless keeping the distance is not feasible, each person should make a faithful attempt to adhere to the proposed guidelines firmly.”
What is the writerly voice of the author of this paragraph? I argue that it is decidedly foreign. In general, native English readers can easily discern the voice of a non-native writer. There are syntax errors, and the word choice is likely to sound awkward to a native English ear. This awkwardness is the result of the choices the foreign author made.
But a revised version of that same response, edited for clarity and style, could sound American with no foreign language interference. Check out the edited version below, reflecting improvements in the writer's voice and prose style:
“Following the guidelines of public health officials is mandatory, akin to following traffic laws. It is recommended to maintain a social distance of about three feet. If it is not possible to adhere to this rule, we should make sincere efforts to maintain an appropriate distance.”
This newly edited version sounds more American, with no foreign language interference and no infelicities. Why? Because the edited version made rhetorical choices in grammar, punctuation, and usage that align more closely with the native English reader’s sensibility and literary conscience .
When I published my recent post about learning to write well, a native American reader wrote to me: “I still haven’t quite figured out my voice. We each have our journeys, styles, and potentials. We also have our audiences and influences. There are many variables that impact why we write the way we write.” I was pleasantly surprised because I had erroneously presumed that native English writers innately have a voice. They don’t. Writers are not born; they are made—often self-made.
I responded to this American reader by encouraging them to read books on grammar, punctuation, and usage—because the sum total of our choices in these areas forms our voice and determines how our prose sounds on the page.
Nonnative English writers may at times lack knowledge of grammar, punctuation, and usage, leading to errors that sound awkward to the American ear. This may have consequences for their relationships—indeed, the University of Birmingham study confirmed the connection between grammatical blunders and induced stress.
We can all find evidence from our reading experiences. When I read obtuse and turgid academic jargon—think Michel Foucault and Judith Butler—I often feel psychologically annoyed and physiologically stressed.
As John Trimble, professor emeritus at The University of Texas at Austin, told me, native English speakers generally do not bother to read texts with language errors that sound off to their ear. I suspect he's right; in my experience, many native English readers are impatient to get to the point and begrudge any author who does not deliver. When the prose does not sound good to their ear, many readers question the credibility of the author.
We attain our writer voice by learning grammar, punctuation, and usage, and by making rhetorical choices that do not jar the ears of our readers. When our writing sounds good to the reader, they are more likely to listen to us. But when our prose does not sound "correct" to native speakers, they are likely to distrust the author and abandon the reading experience.
I learned to write well by reading dictionaries and usage books. These readings helped me refine my literary conscience and attune to American readers’ sensibilities. I have also worked with many copyeditors who have improved my prose. Although I am not American, I believe I have reached the point of producing prose that sounds American to many American readers, without awkward foreign language interference or infelicities. This is a milestone that all non-native and multilingual writers should aim for.
Abdulrahman Bindamnan is a Ph.D. student at the University of Minnesota and an ICGC scholar at the Interdisciplinary Center for Global Change.
At any moment, someone’s aggravating behavior or our own bad luck can set us off on an emotional spiral that could derail our entire day. Here’s how we can face triggers with less reactivity and get on with our lives.
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Active to Passive Voice Example Active Voice: "John ate the apple." Passive Voice: "The apple was eaten by John." In the active voice sentence, the subject (John) is the one doing the action (eating). In the passive voice sentence, the subject (The apple) is the one being acted upon, and the actor (John) is mentioned at the end of ...
Here's an example of a sentence using the active voice: The dog ate my homework. In this example, "the dog" is the subject, "ate" is the verb, and "my homework" is the object. ... Now, we have an object, or doer, of this act of pouring tea: "my grandmother." ... ("the Declaration of Independence was signed on July 4") is in the passive voice ...
Active voice and passive voice are grammatical constructions that affect the clarity and focus of a sentence. In an active sentence, the subject performs the action expressed by the verbs.For example, "The teacher explains the lesson" clearly shows that the teacher (subject) is performing the action of explaining (verb) the lesson (object).
Now, if you wrote that sentence in the passive voice, it would look something like this: The homework was completed by Dave. In this case, the homework is the object that is doing the doing, completed is of course still the verb, but Dave, the subject, is now having the verb done to him.
The passive voice is a way of writing or speaking where the object of an action becomes the subject of the sentence. For example, instead of saying "The cat chased the mouse," in passive voice, you would say "The mouse was chased by the cat.". This style often makes sentences longer and can make it unclear who is performing the action.
Understand how both active and passive sentences are structured. Active Voice: The subject of the sentence is the one doing the action. The researchers compared the behavior of two groups of children. The clerk was helping the customer. Students need good study skills to succeed in college. You should tell him. Passive Voice: The subject of the ...
Use #1: When the Actor Is Unknown or Insignificant. English speakers use the passive voice when the actor (person/thing performing the action) is unknown or insignificant. This is especially true when reporting crimes or incidents when the perpetrator is unknown. The store was robbed in broad daylight. My wallet was stolen last year.
Rewrite the sentences in passive voice. John collects money. Anna opened the window. We have done our homework. I will ask a question. He can cut out the picture. The sheep ate a lot. We do not clean our rooms. William will not repair the car.
In the first, to be is a continuous past verb, and in the second to be is past tense linking verb. There are two key features that will help you identify a passive sentence: Something is happening (the sentence has a verb that is not a linking verb). The subject of the sentence is not doing that thing.
Understanding when to use passive voice can make all the difference in your writing. Discover exactly when to use passive over active voice and why.
Intermediate. Underline the correct form of the Passive Voice in each sentence. Most wines are made / is made from grapes. Our room is being cleaned / is cleaned at the moment. Hamlet was wrote / was written by William Shakespeare. I think that tomorrow's lesson will cancelled / will be cancelled.
4. In such a sentence one is " Dummy Do", the meaningless one the support of which we seek in Simple Present and Simple past where there is no auxiliary or modal but the sentence is to be made negative or interrogative. Ignore this first DO, the meaningless one, we call do support. They ( did) NOT DO the work.
In the simplest terms, an active voice sentence is written in the form of "A does B.". (For example, "Carmen sings the song.") A passive voice sentence is written in the form of "B is done by A.". (For example, "The song is sung by Carmen.") Both constructions are grammatically sound and correct. Let's look at a couple more ...
An action in a sentence can be represented in two ways, namely active and passive voice. The passive voice always uses the past participle form of the main verb irrespective of any tense. Only the auxiliary verbs depend upon the sentence given in the active voice. The correct answer is C) The teacher punished the boys who had not done their ...
This homework sheet enables students to practise using the Passive Voice through a range of progressively challenging exercises. After downloading your PDF: print it immediately or save and print later. Answers are provided for teachers on the second page. Make your own worksheets with the free EnglishClub Worksheet Maker!
The subject of the sentence is not doing that thing. Usage. As you read at the two sentences below, think about the how the different voice may affect the meaning or implications of the sentence: Passive voice: The rate of evaporation is controlled by the size of an opening. Active voice: The size of an opening controls the rate of evaporation.
They were doing homework. The passive voice of this statement is ..... A. Homework were done. B. Homework were being done. C. Homework was being done ... - Mixed General Quiz
change into passive voice. (1) Ravi is not doing homework (2) She has not spoilt your notebook(3) They have not locked their house. - 15154530
Examples: Negative statements using "do" Mikhail did n't do his homework. I do n't understand trigonometry. Note If "be" is the main verb and there is no auxiliary, add "not" after "be" instead of using "do" (e.g., "I am not upset"). For emphasis "Do" can be used alongside the main verb to emphasize it.
Identify the kinds of past tense used in the given sentences and write them in the givenspace:(a) They had been fasting for two days.(b) I had never s …
To do my homework, change into a passive voice when teaching and when I do my coursework, I will do my coursework out loud if that helps me relax and keep focused. Sometimes I will do my homework aloud, but I will also do it slowly. Sometimes I will do my coursework quickly. That depends on the material and on how I am feeling and on my needs ...
Key points. Exposure to poor grammar can produce physical stress. Psychology is fundamental to the art and craft of writing. We do not find our voice and then write; we write and then find our voice.