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Agust D – Give It To Me

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Watch: BTS' Suga Infires As Agust D In "Give It To Me" MV

BTS ’ Suga has released his next music video featuring his track “Give It To Me” as Agust D.

The lyrics for “Give It To Me” discuss the rapper’s success and goes on to address haters.

Watch the music video with English subtitles below!

Previously, Suga released his long-awaited mixtape under the name “Agust D” and also dropped a music video for his track that is also titled “Agust D.”

Stayed tuned for updates regarding Suga’s next music video for “So Far Away.”

*Note: “Infires” is not a typo but rather a phrase widely known amongst BTS fans due to Suga’s past incorrect usage of the word in place of the word “inspire.”

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Similar Articles

• 1 Intro : DT sugA (Feat. DJ Friz)
• 3 give it to me
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• 8 Tony Montana (Feat. Yankie)
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• 10 so far away (Feat. SURAN)

'Agust D' MV

'give it to me' MV

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BTS rapper Suga goes into blast mode on ‘Give It to Me’

Min yoongi is feeding the flames with this follow up to 'agust d.'.

Sherry Tucci

Posted on Aug 18, 2016   Updated on May 26, 2021, 5:48 am CDT

In the second music video installment of his solo mixtape  Agust D , BTS rapper Suga spits more hard lines, this time about his success as a musician in “Give it to Me.”

Very much in tune with his confidence and passion, Suga addresses haters directly here. While the rapper has received much criticism over the past three years for becoming a K-pop idol rapper and “selling out,” he turns it around and silences critics for good with this track.

With the fiery scenes in “Give it to Me,” the video appears to be a continuation of the first installment, “Agust D” . The song boasts some eccentric, frantic strings and jumbled voices that haunt the track even under the hip-hop beat. A couple times in between lines, Suga laughs, sounding borderline deranged. His lyrics are far from it, however, blasting those who have hounded him in the past. With Suga’s first music video and this one, he’s made it very clear he’s taking no prisoners.

03. Give it to me // Eng trans by papercrowns #AgustD #AGUSTDMIXTAPE pic.twitter.com/qi7jwegdfg — ✨ | s/h (@kitTAEn_twt) August 16, 2016

As a BTS member, he’s known for his quiet and sleepy demeanor, but as solo rapper Agust D, he’s come out of that shell to pin detractors against the locker. He’s revealed much of himself through his lyrics, including his struggles with depression and social anxiety.

Suga plans to release a third and final music video from the 10-track mixtape for the song “So Far Away,” but a release date has not been announced. The mixtape can be downloaded for free .

Sherry Tucci is a fandom reporter who specializes in Korean pop culture and anime. In addition to her work at the Daily Dot, her reporting has appeared in the Daily Texan.

Give Me Some Sugar

Sugar , in the Southern United States as well as other rural areas, can refer to a kiss.

Meaning of Idiom ‘Give Me Some Sugar’

Give me some sugar means give me a kiss.

Usage Notes

Sometimes, the word ‘me’ is replaced with a reference to the person’s family title, such as mama, aunt, etc.

In the Southern United States and in many rural areas, you should never ask for sugar by saying ‘Give me some sugar’ as this would be taken to be a request for a kiss. Southerners would say, instead, ‘can I have some sugar?’ or ‘can I borrow a cup of sugar?’

Examples Of Use

“Come here and give me some sugar before you go to bed.”

“Give your aunt Missy some sugar, now. She came a long way to see all of us.”

“Hey, baby, I gotta run to the store. Give me some sugar before I go!”

“Give your grandma some sugar! I missed you babies!”

“It’s been a rough day. I need some sugar from my little red-headed woman!”

“Give pawpaw some sugar and he’ll fix your flat tire.”

It is difficult to know how long this idiom has been used since it has a literal meaning that is frequently found in print. It has certainly been used since the early part of the 1900s and probably longer.

More Idioms Starting with G

• Go Suck an Egg
• Get Something Out of Your System
• Go Off Half-Cocked

More Give Idioms

• Give Your Eye Teeth (for something)
• Flip Someone Off
• Benefit of the Doubt
• Arm and a Leg, an
• Give Someone a Mouthful

More Kiss Idioms

• Baker’s Dozen
• Talk Nineteen to the Dozen
• Daily Dozen
• A Dime a Dozen

More Sugar Idioms

• Sugar Daddy

More From Idioms Online

give it to me (Eng Trans)

Artist: Agust D (SUGA) Song: give it to me (English Translation) Album: Agust D Year: 2016

even my family didn’t expect my success even got me surprised, need to say no more toughest cookie in the family. I’m a public enemy talking shit about us and taking advantage of us those bros know how the money tastes same lips saying two different things and head to the big corporates what you know about me? you can’t control my shit

take back all you said before you bounce

you ask me how I made it and I really got nothin’ to say

at least I slept less and moved more than all you. it got me this far

I don’t know about the secret to success yet but I think I do about how to fail

just fool around and be a big mouth like you. I’d rather die than to live like that

gi give it to me money fame anything’s alright just bring ‘em fame flash light gi give it to me (gi give it to me) anything’s alright just bring ‘em

born tiger ain’t gonna live like a dog pour me what you got doesn’t matter if it’s liquor or money or fame I never beg for anything I ain’t greedy about what’s in your hand whatever it is I only do what I gotta do. law of the jungle? fuck that all those politics in the word “success”

you punks go fight each other that’s right boy yeah makes you look more and more like an asshole go trippin’ go crackin’ I don’t give a fuck. just go live the damn life as you want

don’t touch me not even a finger gonna end it then end it or ya’ll end up somewhere ill one for the money and two for the show fame flash light uh give it to me

Official translation.

You may also like:

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• Literal Legend
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BTS Suga Birthday: Popular Songs of K-Pop Rapper on YouTube

• Oops! Something went wrong. Please try again later. More content below

BTS ARMY is celebrating Min Yoongi aka BTS Suga ‘s birthday worldwide on March 9. While the K-pop powerhouse is on a temporary hiatus serving in the Korean mandatory military, fans are diving deep into the rich discography of the singer streaming the biggest hits.

Suga officially debuted with the album D-Day on April 21, 2023. But long before D-Day’s arrival, Suga had shared a glimpse of his musical vision through two mixtapes, Agust D and D-2, in 2016 and 2020, respectively.

Here, we are exploring Suga’s most popular songs from his solo discography, which ARMY can enjoy on his birthday.

BTS Suga released the official music video for the b-side track “Amygdala,” which is part of his debut album D-Day , on April 24, 2023. The track shows Suga’s deep understanding of his mental health as he unapologetically talks about childhood trauma and more.

The song’s echo effect establishes an unsettling mood, as Suga urges his listeners to take a journey with him, singing: “I’ma bring back my memories, I can’t even remember/ Let’s unpack them, one by one.”

Since its release, Suga’s “Amygdala” music video has garnered over 11 million views on YouTube and remains one of BTS members’ most-watched solo music videos.

‘Give It To Me’

Suga released the music video for “Give It To Me” on August 18, 2016, long before BTS became a worldwide phenomenon. The song is part of Suga’s debut mixtape, Agust D. He wrote it when he was in his early twenties, but his writing skills were already at their peak.

In it, Suga raps: “I’m still not sure about the secret to success/ But I think I know the secret to failure/ The secret is to play the fool just like you/ And keep blabbing your mouth/ But I wouldn’t live like that even if I had to die.” The rage-filled rap track remains a perfect answer to BTS haters even now, and Suga’s skillful writing is evident in every verse of the song.

Fans of Bangtan Boys hail Suga’s “Haegum” as an anthem for those who want to live on their terms without being chained to society’s preconceived norms. The song’s name also ties to its concept: In Korean, Haegum means a traditional Korean instrument and also means “lifting a ban.”

So in “Haegum,” Suga bravely invites listeners to join him in the quest for freedom by rapping: “This song’s simply about freeing what’s forbidden/ But you must remember to differentiate freedom from self-indulgence/ This song’s a haegeum/ Get on board now.”

Along with its fiery lyrics, the song’s cinematic music video is a treat to watch and may remind viewers of “Daechwita.” Since its release, the song has garnered over 70 million views on YouTube.

Suga’s “Agust D” remains his biggest hit from the early days of his career. In “Agust D,” Yoongi is at his angriest, spitting fire through the lyrics. The song is a pure celebration of Suga’s unbelievable rapping skills, where he disses the world.

The song’s intense mood compliments the fast-paced music video. It almost appears as if Suga’s telling the world to keep up with his speed. Since its release, the video has garnered over 169 million views on YouTube.

‘Daechwita’

Suga’s “Daechwita” is a cinematic and musical masterpiece and an instant mood-lifter. In it, Suga heavily relies on his rapping skills, which shows why he is considered one of the most talented rappers of the current K-pop generation.

The track’s music video reveals a complicated story of a power-hungry king and a rebel. The song’s subtle but particular socio-political message makes it stand out. Since its release in 2020, “Daechwita” has clocked over 446 million views on YouTube and is easily one of BTS’ must-watch music videos of all time.

Along with the list mentioned above, Suga is also known for “Burn It,” “People Pt. 2,” and “Huh” Ft. J-Hope.

In other news, Suga is reportedly scheduled to conclude his military service by June 2025. And his many admirers are anticipating what’s in store for the next chapter, which promises to be as epic as before.

The post BTS Suga Birthday: Popular Songs of K-Pop Rapper on YouTube appeared first on ComingSoon.net - Movie Trailers, TV & Streaming News, and More .

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Suga of BTS’s World Tour Is Pop Subversion at Its Finest

In the U.S., the first member of the group to stage solo concerts delivered a thrilling declaration of artistic individuality.

Four hooded figures seemed to float down the stage, through the soft exhalations of a fog machine. On their shoulders, they carried a body clothed in black. Rain and lightning flashed a clean white on the screen behind them. When the man was finally laid on the ground, what followed looked like a resurrection: The spotlights found him, screams rose, and at last he stirred. Then he raised a microphone to his mouth.

This rock-star Lazarus was Min Yoongi, better known as the rapper and songwriter Suga of the Grammy-nominated, chart-topping South Korean group BTS. But none of his bandmates were onstage that night at UBS Arena, on Long Island, New York, because it was the first date of his solo world tour. Since last summer, the members have been focusing on individual projects as each prepares to complete his mandatory military service. The first in BTS to do a solo tour, Suga was also performing as Agust D, the name he adopted in 2016 for making music that was darker, more raw, and more personal than his group work. Last month, he released his studio album D-Day , the powerful conclusion to his trilogy of Agust D records, which delivered social critique and meditations on trauma, fame, mental illness, alienation, and forgiveness.

Suga’s ongoing tour, also titled D-Day, is the first real showcase of his oeuvre, and, on the sold-out U.S. leg of his tour, it felt like a declaration of artistic individuality more than a decade in the making. His concerts exploded with frontman energy and auteurist flourishes. But his most striking achievement was embracing pop music’s empathy-fueling potential while resisting its dehumanizing effects.

All 11 of his U.S. tour dates, which wrapped Wednesday night in Oakland, California, began with a short film that ended with Suga lying on a road in a thunderstorm. This was a reference to when he was hit by a car while working in Seoul part-time as a delivery boy to support himself while training to debut with BTS. The crash left him with a painful shoulder injury that continued to dog him even as BTS went on to achieve international fame. The segue from the video to the real-life Suga being carried onstage, seemingly lifeless, was smooth yet jarring—a reminder of the human vulnerability of a pop star whose fans camp outside concert venues for days.

When I saw Suga on that first night, at UBS Arena, as well as the final U.S. night, at Oakland Arena, his show challenged expectations of what a pop concert can do. On one level it was a dynamic hip-hop show, put on by a technically proficient rapper who as a kid would sample the Japanese composer Ryuichi Sakamoto’s music to make his own beats. Suga set the tone for the evening with “Haegeum,” whose title refers both to a Korean string instrument and to the notion of lifting a ban on something that was forbidden. “Endless influx of information prohibits freedom of imagination / And seeks conformity of thought,” Suga rapped in Korean. “Slaves to capitalism, slaves to money, slaves to hatred and prejudice / Slaves to YouTube, slaves to flexin’.” The haegeum ’s haunting strings and a deliciously grimy bass vibrated the air. Though the track was written entirely in Korean, the crowd roared the lyrics back to him. He practically entered a hypnotic state while running through a rap-heavy opening sequence with the defiant “Daechwita” and the earlier fan favorites “Agust D” and “Give It to Me.”

Read: The friends who listen to BTS together stay together

Before the audience could get too settled, Suga brought out his acoustic guitar, its body decorated with messages and drawings from the other six BTS members. He’d only learned to play the instrument during the pandemic , so his unplugged version of “Seesaw” cut a sharp contrast to previous performances of the song, which featured choreography, backup dancers, and an elaborate set. His effortless swagger during the earlier hype songs gave way to the quieter spectacle of Suga in singer-songwriter mode. Later, he sat down at an upright piano and performed his own version of the 2020 BTS track “Life Goes On” and, in a particularly emotional moment, a solo rendition of the song “Snooze,” which features the singer Woosung and the late Sakamoto. A clip of Suga and Sakamoto’s sole meeting, from late 2022, played beforehand on the big screen—the older musician playing the song on a grand piano while the younger man tries to contain his joy. Sakamoto’s presence on “Snooze,” one of his final collaborations, was especially poignant to Suga, who idolized him and wrote the song to comfort younger struggling artists.

Read: The astonishing duality of BTS

Again and again, D-Day allowed Suga to experiment in ways that he hadn’t been able to with BTS, and it was thrilling to see. Yes, he was still clearly a seasoned entertainer, who knew how to command the attention of tens of thousands of people , who could jump around a stage rapping without appearing to take a breath, as during the exhilarating medley of BTS rap songs in the middle of the concert. And at two Los Angeles shows, he welcomed guest appearances by the American singers Max and Halsey for their respective collaborations. But his subversive choices stood out too. The concert was interspersed with short films that evoked the dream logic of David Lynch and the grainy aesthetic of grind-house movies, telling the story of the musician’s three identities: the pop idol Suga, the shadow self Agust D, and the human Min Yoongi. The ultimate artistic aim of the concert seemed to be to clarify each of these distinct selves to the audience while recognizing that they must all exist together. Seeing him perform his solo BTS songs, including “Interlude: Shadow,” as well as his verses from tracks with the other BTS rappers , affirmed that he wasn’t looking to reject his past but instead was proud of it. After all, it had taken him to South Korea’s Blue House , America’s White House , the United Nations General Assembly, and the Grammys stage.

In another fascinating production choice, throughout the show, pieces of the extended stage were pulled to the ceiling by chains, giving Suga less and less space to perform, requiring him to navigate the platform more carefully. For his last pre-encore song, “Amygdala,” he stood on a lonely-looking square as fire blazed all around him, a terrifying prison. The centerpiece of the D-Day album, the emo-rap track serves as an origin story for the alter ego of Agust D, referencing his life’s defining traumas—the car accident, his mother’s heart surgery, and his father’s liver-cancer diagnosis—and how they shaped him. During the song’s final lines, apparently depleted, he collapsed on the ground, and the hooded figures returned to carry him away. Only this time, he wore all white, as though he’d been cleansed, his catharsis complete.

By the encore, all of the stage pieces had been removed, revealing the technical equipment that had been hiding beneath it. Scattered about were fire extinguishers, electrical cords, pyrotechnic devices. No longer elevated above the crowd, Suga performed his last few songs at ground level, right in front of fans, sometimes grabbing their phones and filming himself. These last moments were bittersweet: Much of the audience knew that after the tour ended in Seoul in late June, Suga would begin his military service for at least 18 months. That reality made the concerts feel like a temporary farewell. Fans’ glowing lightsticks rippled like a single wave throughout the arena. Every so often, carried by a feral energy, the crowd would start barking, making Suga gawk or laugh. In Oakland, he told the audience that he would return with the rest of the BTS members, asking fans to wait just a little longer.

On the tour’s first night, one more surprise awaited. I had assumed that the final song would be something sentimental or light-hearted. Instead, Suga walked over to an ominous circle of video cameras, stood right in the middle, and began murmuring the opening bars of “The Last.” This song, off his first mixtape, is one of his best and one of my favorites. It’s also a song I have a hard time listening to these days. On “The Last,” Suga raps about his OCD, depression, and social anxiety. His delivery starts out low and subdued and gradually grows more desperate; by the end he sounds like he’s somewhere between screaming and crying. When I first heard it years ago, I recalled my own unceasing panic attacks and the suffocating desire to die. The song lodged itself in my heart, a welcome shard.

Read: I wasn’t a fan of BTS. And then I was.

In recent years, Suga has made more music about growth, about self-love and being okay with uncertainty and suffering. He spoke early during the concert, in English, about wanting to perform with less anger, highlighting songs such as “SDL,” “People,” and “People Pt. 2”; these tracks painted a portrait of someone with a great capacity for measured reflection, forgiveness, and humility in the face of life’s challenges. I understand that too: The relief of no longer hurting so badly, of discovering healing on your own terms. So when I heard the first lines of “The Last” (“On the other side of the famous idol rapper stands my weak self, it’s a bit dangerous”), I froze. What was he doing? Those cameras—arrayed like a surveillance system, transmitting the videos to the screen above him—devoured and projected the anguish he was performing, suggesting that I was devouring it too.

But after a minute, I understood. Though he rapped with the same breathless passion he did as a striving 23-year-old, I realized that he wasn’t performing with pure fury but with an anger tempered by time. This emotion was no less powerful or sincere, but it was less damaging to the person communicating it. These days, he could stand in the flames and feel their heat, but not be consumed by them. He could connect with his younger self without fully becoming that person again.

Then the spell was over. The moment the song ended, the house lights went up so that we could see him walking in silence offstage. No goodbye, no drawn-out thank yous and waves to the cheering audience. Not even a glance backward. On the first night, people exchanged confused looks, shocked by his sudden exit. You could perhaps see this whole finale as a quiet confrontation with an audience, a grand assertion of the self by a beloved artist. But if it was a confrontation, it was one rooted in trust rather than condescension. Trust that the audience can sit with discomfort, that they’re self-aware enough not to be offended or horrified by what he’s showing them.

It was the perfect ending. A concert that began in darkness and mythmaking ended in light and exposure. Suga started the show being carried by others; he ended it by carrying himself out. What more could we want? He had just shown us everything.

Give me some sugar In english explanation

The meaning, explanation, definition and origin of the idiom/phrase "give me some sugar", english idiom dictionary ( also found in vietnamese ).

Meaning of Give me some sugar (redirected from give someone some sugar )

Give someone some sugar spoken language verb phrase

Used to indicate giving someone a kiss.

My sweet heart, give mama some sugar.

It must be a hard day for you. Let me give you some sugar.

You've been waiting for me for two hours under this freezing cold? Oh, honey, Let's me give you some sugar.

I would be happy if you could give me some sugar right now.

Other phrases about:

To kiss one very romantically and passionately   

To French kiss.

1. To passionately kiss someone, particularly in front of others.

2. To gain someone's favor by excessively flattering, fawning, or solicitous overtures.

To kiss voraciously and for a long time.

Grammar and Usage of Give someone some sugar

• give someone some sugar

It's mostly used in the present tense.

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Used to describe someone who is good at persuading people to do or believe something

Jane is a fast talker. She has sold many luxurious villas since she worked here.

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American Airlines changed my flight, but won’t give me a refund

Q. Last year, I booked a flight from Seattle to Miami on American Airlines. The flight was a red-eye leaving at 12:39 a.m. This itinerary was ideal for me because I work late nights and didn’t want my trip to interfere with my schedule.

Before my flight, I received an email saying that my flight time had changed and would be departing at 10:15 p.m. I couldn’t make this flight because I was working late that night.

I called American, and a representative told me she could not refund me because it was less than a four-hour schedule change. She said I would have to apply for a refund online, and she canceled my ticket.

I applied for a refund online and received an email a week later stating that my refund was denied because of American’s policy and because I had purchased a cheap ticket.

I called American again and spoke to a supervisor. She would not even give me a flight credit for future use. She did give me an option to book another flight at that time and possibly get me money back. When I said I didn’t have any known plans to travel, she suggested I call back when I’m ready, and someone could possibly help me. But she could not promise anything.

American told me to cancel my ticket and apply for a refund. Then it denied my request for a refund. I think that’s a deceptive business practice. Can you help me get a refund?

NEIL GUPTA, Seattle

A. If an airline changes its schedule, it should offer you a full, no-questions-asked refund. But American Airlines is correct: It gives itself the right to change its schedule by up to four hours without offering your money back.

The amount of delay required for a refund varies by airline. If you’re flying in the European Union, it is standardized at two hours under the European airline consumer protection regulations.

Your situation was a little different. You had spoken to an American Airlines representative who led you to believe that you just needed to apply for a refund, and she canceled your ticket. The representative should have told you that there was no way you could get your money back, even if you applied for a refund.

By the way, how much you spent on your ticket is irrelevant. The refund rules govern all tickets, no matter how much you paid.

I think this one’s on American. If a representative suggested you might get a refund, you should reasonably expect to get your money back. And, on top of that, a supervisor also suggested you could get a credit. Even if it’s a misunderstanding, American could give you a ticket credit as a gesture of goodwill.

A brief, polite email to one of the American Airlines executive contacts might have helped. I publish their names, numbers, and emails on my consumer advocacy site, Elliott.org .

I contacted American on your behalf. To be clear, American wasn’t required to do anything under its policy. But I think a refund would have been the right thing to do under your circumstances.

American Airlines agreed to refund your ticket.

Christopher Elliott is the founder of Elliott Advocacy ( elliottadvocacy.org ), a nonprofit organization that helps consumers solve their problems. Email him at [email protected] or get help by contacting him at elliottadvocacy.org/help/ .

Kentucky Primary 2024: 5 takeaways from election night

Primary races decided Tuesday night around Kentucky have set the table for the general election in November.

While no U.S. congressional incumbents faced much of a challenge , plenty of state House and Senate races presented a closer look at key trends to watch in the coming months, with a higher-than-average turnout this fall likely with a presidential race on the ballot.

From races in Louisville to other notable wins across the commonwealth, here are a few takeaways to note as election season shifts to the fall:

Experience trumps youth... some of the time

Two candidates who ran on experience came out with resounding wins over challengers who branded their campaigns as opportunities for voters to send new voices to Frankfort.

Mary Lou Marzian will represent Democrats this fall in the race for House District 41 after landing 71% of the vote over challenger Rick Adams . Meanwhile, longtime Senate Minority Leader Gerald Neal will retain his seat after landing 55% of the vote against Attica Scott, a former representative who argued Senate District 33 needed a fresh face in office .

Adams, a 32-year-old attorney for the Kentucky Democratic Party who's also done some legal work for The Courier Journal, had argued voters " won't get the change that we need with old ideas from glory days past. " Marzian, who ran with the campaign slogan "experience matters," previously served in Frankfort from 1994 through 2022, when she stepped aside after redistricting pitted her against another incumbent state representative.

Marzian is set to face Republican candidate Sara-Elizabeth Cottrell, who ran unopposed in the primary, in the general election.

Scott is a bit older than Adams at 52 but ran an energetic campaign against Neal, who has been in the Senate since 1989 and won a 10th term in Frankfort. She had said the West Louisville district needed a "different way of leading" at the Capitol, though Neal argued his bipartisan relationships are necessary when an opposing party controls the legislature.

No Republicans are seeking the seat, clearing the way for Neal to win again in November.

Still, not every older candidate was as fortunate. C. Ed Massey, a former Republican state representative in Boone County who'd touted his experience on the campaign trail, was walloped by 26-year-old challenger T.J. Roberts, who ran to his right and landed 72% of the vote.

Give me Liberty

It was a big night for the GOP's "Liberty" wing. Those candidates, who generally run further to the right than Republican centrists, were successful in several races.

Roberts rolled in his race — he celebrated the win at an election party for U.S. Rep. Thomas Massie , who also won his primary, along with other like-minded candidates such as incumbent Reps. Savannah Maddox, Felicia Rabourn and Steven Doan. Each member of that trio won their primaries, as well.

There were other wins, too. Most notable may be the victory of Thomas Jefferson — a Jessamine County Republican who's never held state office — over incumbent Rep. Killian Timoney, a GOP representative known for crossing party lines in some votes. Jefferson, who raised just over $14,000 to Timoney's nearly $30,000, is set to face Lexington Democrat Adam Moore in November.

Still, in a state with 100 House seats on the ballot along with several Senate seats, some losses were inevitable. Kelcey Rock, for instance, was unable to pull off a win over incumbent Rep. Michael Meredith, an Edmonson County Republican who chairs the House's Banking and Insurance Committee.

At least 10 candidates officially supported by the Liberty Caucus came away with wins in Tuesday's election. Several others not included in this count ran unopposed.

An 'uncommitted' presidential race

While U.S. President Joe Biden handily won the Democratic nomination in Kentucky, the percentage of those who voted “uncommitted” soared compared to the commonwealth’s last presidential primary. The uncommitted parade was in line with a nationwide trend of voters using this year’s election cycle as a means of protest amid Israel's war in Gaza .

In the 2020 primary election, 10.8% of Democratic primary voters selected the "uncommitted" option. That figure jumped to 17.8% this year, as Biden faces criticism from some Democrats across the U.S. for not doing more to stop the conflict in the Middle East. By comparison, just 3.5% of GOP voters in Kentucky chose "uncommitted," as likely nominee Donald Trump landed about 85% of the vote.

While Biden still secured the Democratic nomination for Kentucky with more than 71%, some pro-Palestinian political organizers believe voters’ use of the uncommitted ballot option can send a key signal to the current administration, as Our Revolution executive director Joseph Geevarghese previously told USA TODAY.

“In order for Democrats to defeat Donald Trump in November, Biden must realign with his voter base and listen to the diverse, progressive voices urging him to change course in Gaza,” Geevarghese said. “And until he does, we will continue showing up, speaking out and activating Our Revolution’s 8 million grassroots members across the country to use their ballot to demand change.”

Primary elections aren't a big deal for Kentucky's congressmen

There was some drama in state House and Senate races. There was none in races for Kentucky's six seats in the U.S. House of Representatives.

Three incumbents ran unopposed in the primaries. Three others who were on the ballot, meanwhile, cruised to wins — Louisville Democrat Morgan McGarvey landed 84% of the vote, while Northern Kentucky Republican Thomas Massie scored 76% of votes in his race and Southeastern Kentucky Republican Hal Rogers ended up with about 82% in his race.

The results aren't surprising. McGarvey has been in office for only one term but did not face much opposition from his two challengers, while Kentucky's five other U.S. representatives have all been in office for more than a decade and are well-heeled in their districts. They're all likely to head into November's election as heavy favorites against their opposition.

Always check your work

State Rep. Nima Kulkarni, a Louisville Democrat, won her primary against relatively unknown challenger William Zeitz and is currently not set to run against a Republican in November. Whether she'll be eligible to take office, though, is another story.

Kulkarni's eligibility is currently in the hands of the state Supreme Court, which will consider a lawsuit that claimed she should not be on the ballot due to an issue with her nomination paperwork . That chamber will hear arguments in the case next month as it reviews a court of appeals ruling earlier in May that would have removed her from the ballot.

Kulkarni isn't the only one who's run into similar issues in recent years. Kimberly Holloway, a Republican running in House District 2, was disqualified ahead of a 2022 run for office due to a similar issue . She's running again in 2024 and landed a win in Tuesday's primary over incumbent Rep. Richard Heath.

Kulkarni's case will be heard in the state Supreme Court on June 6.

Reach The Courier Journal's politics team at [email protected].

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‘Sugar’ Ending Explained: How Does Season 1’s Finale Say “Farewell” To John Sugar?

Where to stream:, ‘sugar’ season finale recap: alien vs. predator, will there be a ‘sugar’ season 2 on apple tv+, ‘sugar’ episode 7 recap: the rescuer.

It seems like just yesterday Sugar fans were struggling to wrap their heads around that mind-boggling alien reveal . Heck, they still are! Yet the Season 1 finale of Apple TV+’s unexpectedly out-of-this-world noir drama is already upon us, so buckle up and prepare for liftoff to another planet — kidding! Well, sort of…

When we last left John Sugar (Colin Farrell) in Season 1’s penultimate episode , he had killed Stallings, learned Olivia’s location (a creepy basement torture chamber belonging to a Senator’s son), and rescued her in the nick of time.

Season 1, Episode 8, “Farewell,” picks up right where Sugar left off and shows our favorite nostalgic humanoid wrapping up his latest case, dealing with his group having to head back home, and learning life-altering info about his past that drastically shapes his future.

Need a recap of  Sugar ‘s Season 1 finale? Decider’s Ending Explained has you covered. Read on to learn how the Apple TV+ series says “Farewell” to John Sugar, Melanie, Olivia, Ruby, and the rest of Season 1’s main characters.

Sugar Ending Explained: Episode 8, “Farewell” Recap

“Three words. That’s the best part. A phone call. Letting them know. The nightmare is over…Three words: I found her.”

Another sultry Colin Farrell voiceover opens the episode alongside black and white footage of John Sugar driving his classic car (and Olivia) to safety. We rewind a bit back to that creepy basement, with the show now in color. He locates a terrified Olivia under the stairwell, carries her outside, and places her in the back seat of her car, reminding himself and viewers, “Everything ends.”

Back in the hotel room, Melanie is temping herself with the sight of alcohol bottles when she gets the call. Olivia wakes up Melanie with above her, and the two embrace, letting themselves feel the full weight of what’s happened. Sugar excuses himself, as if he has no business bearing witness to such intense human emotion. Next time we see him, he’s strolling barefoot on a beach, pondering the strangeness of endings. “I’m glad this case is over, well not completely yet…” he says. Then, he’s back in his room, suited up and staring at the CD he swiped from the basement, marked #44. He realizes he’s obsessing, but he tells himself that’s what PIs do. “They turn over the last rock,” he says. “I need to hurry. All of us do.”

Speaking of hurrying, Sugar’s boss Miller is speeding down an open road when a cop car pulls him over. It seems like a typical traffic stop until the woman requests his license and registration, then shoots him three times. Meanwhile, Sugar stops by Ruby’s house, where she tells him Henry is being stubborn and she’s glad he found Olivia. “They’re probably looking for us,” she stresses, reminding Sugar that he exposed the Senator’s son Ryan Pavich. Everyone in their group has to return to their home planet by the end of the day, and last call is at sunset.

Sugar heads inside to check in with Henry, who’s still jotting thoughts down in his notebook. (“And now with the departure, I realize I’m alone…”) Before Sugar heads to Jonathan Siegel’s house, Henry gives him a CD player so he can double check a hunch. Sugar agrees to pick Henry up before sunset then heads off to check in with Jonathan, listening to the CD he swiped from Pavich on the way, which is filled with deranged rants and records of his torture sessions. Once Sugar arrives at Jonathan’s, he stops to give Margit his condolences and heads upstairs to say goodbye. Mr. Siegel offers him a job as head of security for his company, but Sugar turns it down. He looks out the window at Olivia and flashes back to a hooded figure on what appears to be his home planet. Then he and Jonathan get down to business.

Sugar learns that Olivia hasn’t said a word about what happened in the basement, then he lets Jonathan know he had Clifford’s body go missing from the trunk of her car. Before he leaves, Sugar hands Jonathan the polaroids he found while searching for clues earlier in the season. “I recognize dress Rachel’s wearing. It’s the same dress your wife Lorraine wore in The Winds of Change . You took those pictures, didn’t you?” Jonathan confirms Rachel was unhappy and he was drawn to her free spirit nature. Sugar insinuates that Olivia is Jonathan’s daughter, and though he doesn’t confirm, it’s heavily implied. As Sugar leaves the house, he glances at Olivia again and has another vision of his home planet. We see his blue self standing beside the same hooded figure, whose identity is still hidden.

Next stop? Melanie’s house, where Sugar drops off his pup and steps inside to say goodbye. He opens up to Melanie, telling her his sister was taken by somebody a long time ago, but they never knew who. “That’s kind of why I do what I do,” he reveals, before grabbing her hands and giving her a glimpse at his reality. With Melanie’s hands in his, Sugar’s eyes turn blue and she silently tears up over the sight. “I’ve never shown a human being. I’m not supposed to. It’s strictly against the rules,” Farrell’s voice says as Sugar drives away. “But I’m glad I did.”

On her way to evacuate, Ruby calls Sugar, stressing, “They’re hunting us…the humans we told you about. They want us gone so no one can ever learn about our pact.” On his way to pick up Henry, Sugar continues listening to the CD and has a haunting breakthrough: Pavich wasn’t alone with his captives in the basement. He speeds back to Jonathan’s house and asks Olivia if she knows who else was with her down there. Though she never saw the second man, she heard him writing, which leads to Sugar’s epiphany. It was an observer. And not just any observer. It was Henry !!!!!!

When Sugar arrives back at the house, it’s all cleared out except for a phone that’s ringing. He follows the sound upstairs and when he answers, Henry’s voice comes through the receiver. “So now you know. Once you started listening I knew it was only a matter of time,” he says. When Sugar accuses him of sitting there, watching, and doing nothing, Henry argues that he observed, learned, and did his job. He tells Sugar he’s staying on Earth — that he belongs on there, as does Sugar.

Before Henry hangs up, he tells John he left him rose petals. Sugar finds a pile sitting outside the closet door. And inside, he finds the same cape-like dress the hooded figure in his vision was wearing. The scene plays in his mind again, but this time, the figure turns, reavealing a blue skinned, blue eyed woman: Sugar’s sister, Jen.

In case you had any doubts, Sugar helpfully spells out what’s going down for us in a voiceover: “Jen. Henry. He took Jen. Is she alive? Is she here? Observe and report and make sure the mistakes don’t become ours. And look at Henry, trapped in a cycle of violence. What about me? Am I any different? I like being here — how I can feel hurt, taste, touch, dream, hate. Have I become more human, like Henry? Need to hurry. Need to find him.”

In Sugar’s vision of his planet, he and Jen are standing together watching a group of iridescent star-looking particles flutter through the air. Perhaps they’re space birds, because on Earth, the fluttering creatures turn into a flock of seagulls as Sugar watches the sky from the beach. Fully suited up, he lets the waves wash over his bare feet, prompting a young girl behind him to ask, “What are you doing? You don’t have a bathing suit?” Sugar assures her he does, just not with him, and she advises him not to go any farther because of sharks. With a small smile, he thanks her. Then gets back to business.

“I’m gonna find Henry Thorpe no matter how long it takes. I’m gonna find him,” he vows. He drives to meet Ruby at the evac (an airplane runway) and she reveals, “We knew about Pavich. That was Henry’s idea. We all went along with it. We all did. For the mission. Jen — I had no idea.” She asks Sugar if he’s OK — what with his hand and the voices in his head and *checks notes* everything. Before they can get into it, a circle appears in the sky overhead, which she says is the last ride home.

Sugar reveals he’s going to stay on Earth, and she reminds him all he saw was Jen’s dress — that more than likely she’s already dead. “Probably,” he replies. “But Henry’s alive and he’s here and we brought him here. Now he’s looking for human beings like him…looking for people he can learn from, people can teach…”

“I love my home. I’ll miss my home,” Sugar says. “And I’ll miss you, Ruby. I will. And all the others. But this place, these people, for better or worse, I like them. I’m like them.”

The two say goodbye and Sugar wishes her safe travels. He hops back in his Corvette, speeds off, and looks up to see a line in the sky. It’s Ruby heading home.

Before Sugar ‘s credits roll, we get one final Farrell voiceover. “Man oh man. A movie ending is a strange thing. You know it’s coming and yet you spent all this time laughing, crying, you’re surprised when the credits roll,” he says. “THE END” cards from old movies flash on the screen, and he delivers a final line: “But sooner or later when the lights come on, you put on your jacket. It’s time to go home.”

Just like that, we’re left to wonder if Sugar will be back for Season 2 .

Sugar is now streaming on Apple TV+.

• Colin Farrell
• Ending Explained

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Can Google Give A.I. Answers Without Breaking the Web?

Publishers have long worried that artificial intelligence would drive readers away from their sites. They’re about to find out if those fears are warranted.

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By Kevin Roose

Reporting from San Francisco

For the past year and a half since ChatGPT was released, a scary question has hovered over the heads of major online publishers: What if Google decides to overhaul its core search engine to feature generative artificial intelligence more prominently — and breaks our business in the process?

The question speaks to one of the most fragile dependencies in today’s online media ecosystem.

Most big publishers, including The New York Times, receive a significant chunk of traffic from people going to Google, searching for something and clicking on articles about it. That traffic, in turn, allows publishers to sell ads and subscriptions, which pay for the next wave of articles, which Google can then show to people who go searching for the next thing.

The whole symbiotic cycle has worked out fine, more or less, for a decade or two. And even when Google announced its first generative A.I. chatbot, Bard , last year, some online media executives consoled themselves with the thought that Google wouldn’t possibly put such an erratic and unproven technology into its search engine, or risk mucking up its lucrative search ads business, which generated $175 billion in revenue last year.

But change is coming.

At its annual developer conference on Tuesday, Google announced that it would start showing A.I.-generated answers — which it calls “A.I. overviews” — to hundreds of millions of users in the United States this week. More than a billion users will get them by the end of the year, the company said.

The answers, which are powered by Google’s Gemini A.I. technology , will appear at the top of the search results page when users search for things like “vegetarian meal prep options” or “day trips in Miami.” They’ll give users concise summaries of whatever they’re looking for, along with suggested follow-up questions and a list of links they can click on to learn more. (Users will still get traditional search results, too, but they’ll have to scroll farther down the page to see them.)

The addition of these answers is the biggest change that Google has made to its core search results page in years, and one that stems from the company’s fixation on shoving generative A.I. into as many of its products as possible. It may also be a popular feature with users — I’ve been testing A.I. overviews for months through Google’s Search Labs program, and have generally found them to be useful and accurate.

But publishers are right to be spooked. If the A.I. answer engine does its job well enough, users won’t need to click on any links at all. Whatever they’re looking for will be sitting right there, on top of their search results. And the grand bargain on which Google’s relationship with the open web rests — you give us articles, we give you traffic — could fall apart.

Google executives put a positive spin on the announcement on Tuesday, saying that the new A.I. overviews would improve the user experience by “taking the legwork out of searching.”

But that legwork pays for a lot of journalism, and a lot of other types of online media (fashion blogs, laptop reviews, restaurant listings) without which the internet would be far less useful. If Google’s A.I. overviews starve these websites of traffic, what will happen to them? And if big chunks of the web were to vanish altogether, what would be left for the A.I. to summarize?

Google clearly anticipated these fears, and its executives had responses prepared.

In a briefing this week ahead of Google’s developer conference, they said that the company’s tests had found that users who were shown A.I. overviews tended to conduct more searches, and visited a more diverse set of websites. They also said that the links that appeared in A.I. overviews got more clicks than the links that were displayed on traditional search results pages.

Liz Reid, the vice president of search at Google, said in a blog post on Tuesday that the company would “continue to focus on sending valuable traffic to publishers and creators.”

But parse these responses carefully and you’ll see that Google is not saying that publishers’ overall search traffic won’t decline. That’s because Google can’t really predict what will happen once it starts showing A.I.-generated overviews in billions of search results a day, and how users’ behavior may change as a result.

Earlier this year, I wrote about Perplexity , an A.I.-powered “answer engine” that shows users a concise summary of a topic they’re researching rather than handing them a list of websites to visit. The experience, I believed, was clearly better than a traditional search engine for some types of searches, and usually gave me more useful information faster.

But I was also nervous, because during my own testing of Perplexity, I basically stopped clicking any links at all. In a world where A.I. can browse the internet for me and paraphrase what it sees, I found that I just didn’t need them. And I worried about what would happen if Perplexity users were all like me and got in the habit of relying on A.I.-generated summaries rather than on original sources.

I have the same concerns about Google’s new A.I. overviews, but on a vastly different scale.

Perplexity is tiny — just 10 million monthly users, as of February. Google, by contrast, has billions of users and represents more than 90 percent of the global search market. If it makes a change to its search engine that reduces outgoing traffic by just a few percentage points, every publisher will feel it.

It’s unclear how big the effects of Google’s A.I. overviews will ultimately be. One analyst firm, Gartner, has predicted that traffic to the web from search engines could fall by 25 percent by 2026. And many publishers are bracing for double-digit declines in traffic this year.

Maybe these fears are overblown, and publishers have been worrying over nothing. But after Tuesday’s announcement, Google has made it clear that they’re about to find out either way.

Kevin Roose is a Times technology columnist and a host of the podcast " Hard Fork ." More about Kevin Roose

Explore Our Coverage of Artificial Intelligence

News  and Analysis

Researchers at the A.I. company Anthropic claim to have found clues about the inner workings  of large language models, possibly helping to prevent their misuse and to curb their potential threats.

OpenAI released a chatbot with a voice that sounded like Scarlett Johansson, the actress who provided the voice of an A.I. system in the movie “Her.”  Johansson had previously turned down the company’s request  to license her voice twice.

Hoping to make the personal computer cool again, Microsoft, HP, Dell and others unveiled a new kind of laptop  tailored to work with A.I.

The Age of A.I.

D’Youville University in Buffalo had an A.I. robot speak at its commencement . Not everyone was happy about it.

A new program, backed by Cornell Tech, M.I.T. and U.C.L.A., helps prepare lower-income, Latina and Black female computing majors  for A.I. careers.

Publishers have long worried that A.I.-generated answers on Google would drive readers away from their sites. They’re about to find out if those fears are warranted, our tech columnist writes .

A new category of apps promises to relieve parents of drudgery, with an assist from A.I.  But a family’s grunt work is more human, and valuable, than it seems.

IDEA Public Schools in Austin to provide free meals this summer. Here's how to get them

Austin's IDEA Public Schools announced Wednesday they will be serving free meals to children 18 years old and younger throughout the summer, regardless of their enrollment in the school system.

The schools' free summer meals program will begin Tuesday and operate until July 26, according to a news release. It will be paused from July 1 through July 5 in observance of Independence Day.

The program will include breakfast and lunch, both of which must be consumed within the cafeteria of any IDEA campus. Breakfast will be served from 7:30 a.m. to 9 a.m. and lunch will be served from 11 a.m. to 1 p.m. Monday through Friday.

More: At a Del Valle district school, an on-site pantry offers new tool against food insecurity

Summer meals help battle food insecurity

Nearly 25% of children in Texas face hunger, according to Feeding America, a non-profit focused on battling food insecurity. IDEA's program, which is enabled by the National School Lunch Program and School Breakfast Program, is meant to combat that.

“Healthy nutrition is important for all children in our community, not just while they are in a classroom learning, but year-round,” said Fernando Aguilar, vice president of the Child Nutrition Program at IDEA Public Schools, according to the release.

“With nearly 1.7 million children across Texas at risk of going hungry this summer, we are excited to be able to provide nutritious meals while relieving families of the potential financial burden they can experience over the summer time.” 

A food co-op in Eastern Crescent? Efforts are underway in Austin

Where are IDEA Public Schools' locations?

IDEA Public Schools has about eight locations in Austin and many more throughout Texas and the country. See the full list of free summer meal locations through the school system at ideapublicschools.org/our-schools/.

How kids can get free meals this summer in Texas

A list of summer meal programs throughout Texas is available online at Summer Meal Site Map at squaremeals.org . You can also call 211 or text "FOOD" or "COMIDA" to 304-304 to find locations near you.

More: Food deserts, food insecurity — what we know about Del Valle's limited access to groceries.

Austin ISD offering its own summer meal program

Austin ISD is also offering a free summer meal program for select students. Those who qualify must be participating in an on-site summer program at eligible schools. Any student under the age of 19 or enrolled students with disabilities who are under 21 are also eligible.

A list of summer meal locations, dates and times can be found online . Most programs begin in late May or early June. For more information: austinisd.org/nutrition-food-services/meal-programs/summer

PHOTOS: At a Del Valle district school, an on-site pantry offers new tool against food insecurity