apush summer reading books

Mr. Duncan's History Class

Historian at Merrol Hyde Magnet School

Chapter ONE:

Chapter two: planting of the english in america, chapter three: settling the northern colonies, chapter four: am life in the 17th century, chapter five: colonial society on the eve of the revolution, chapter six: dual for north america, chapter  7: road to revolution  , chapter  8 america secedes from empire, chapter nine: the confederation and constitution, chapter ten - jefferson, chapter eleven - warof 1812, chapter twelve - jackson (political) chapter thirteen - social chapter fourteen - economic, chapter fifteen, chapter sixteen, chapter 19 and 20, chapter 21 reconstruction & chap 23 gilded age politics, chapter 22 industry comes of age, chapter 25/26  west and populism, chapter 27 imperialism, chapter 28 the progressives, chapter 29  wwi, chapter 30  the roaring 20s, chapter 31 - politics of boom and bust, chapter 32 great depression and the new deal, chapter 33 fdr and the shadow of war and wwii, nixon and ford and carter, civil rights and women's rights, reagan and bush i.

Review by Theme

Review by unit.

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Sat / act prep online guides and tips, ap literature reading list: 127 great books for your prep.

Advanced Placement (AP)

A lot of students wonder if there's a specific AP English reading list of books they should be reading to succeed on the AP Literature and Composition exam. While there's not an official College-Board AP reading list, there are books that will be more useful for you to read than others as you prepare for the exam. In this article, I'll break down why you need to read books to prepare, how many you should plan on reading, and what you should read—including poetry.

Why Do You Need to Read Books for the AP Literature Test?

This might seem like kind of an obvious question—you need to read books because it's a literature exam! But actually, there are three specific reasons why you need to read novels, poems, and plays in preparation for the AP Lit Test.

To Increase Your Familiarity With Different Eras and Genres of Literature

Reading a diverse array of novels, poetry and plays from different eras and genres will help you be familiar with the language that appears in the various passages on the AP Lit exam's multiple choice and essay sections. If you read primarily modern works, for example, you may stumble through analyzing a Shakespeare sonnet. So, having a basic familiarity level with the language of a broad variety of literary works will help keep you from floundering in confusion on test day because you're seeing a work unlike anything you've ever read.

To Improve Your Close-Reading Skills

You'll also want to read to improve your close-reading and rhetorical analysis skills. When you do read, really engage with the text: think about what the author's doing to construct the novel/poem/play/etc., what literary techniques and motifs are being deployed, and what major themes are at play. You don't necessarily need to drill down to the same degree on every text, but you should always be thinking, "Why did the author write this piece this way?"

For the Student Choice Free-Response Question

Perhaps the most critical piece in reading to prepare for the AP Lit test, however, is for the student choice free-response question. For the third question on the second exam section, you'll be asked to examine how a specific theme works in one novel or play that you choose. The College Board does provide an example list of works, but you can choose any work you like just so long as it has adequate "literary merit." However, you need to be closely familiar with more than one work so that you can be prepared for whatever theme the College Board throws at you!

Note: Not an effective reading method.

How Many Books Do You Need to Read for the AP Exam?

That depends. In terms of reading to increase your familiarity with literature from different eras and genres and to improve your close-reading skills, the more books you have time to read, the better. You'll want to read them all with an eye for comprehension and basic analysis, but you don't necessarily need to focus equally on every book you read.

For the purposes of the student choice question, however, you'll want to read books more closely, so that you could write a detailed, convincing analytical essay about any of their themes. So you should know the plot, characters, themes, and major literary devices or motifs used inside and out. Since you won't know what theme you'll be asked to write about in advance, you'll need to be prepared to write a student choice question on more than just one book.

Of the books you read for prep both in and out of class, choose four to five books that are thematically diverse to learn especially well in preparation for the exam. You may want to read these more than once, and you certainly want to take detailed notes on everything that's going on in those books to help you remember key points and themes. Discussing them with a friend or mentor who has also read the book will help you generate ideas on what's most interesting or intriguing about the work and how its themes operate in the text.

You may be doing some of these activities anyways for books you are assigned to read for class, and those books might be solid choices if you want to be as efficient as possible. Books you write essays about for school are also great choices to include in your four to five book stable since you will be becoming super-familiar with them for the writing you do in class anyways.

In answer to the question, then, of how many books you need to read for the AP Lit exam: you need to know four to five inside and out, and beyond that, the more the better!

Know the books. Love the books.

What Books Do You Need to Read for the AP Exam?

The most important thing for the student choice free-response question is that the work you select needs to have "literary merit." What does this mean? In the context of the College Board, this means you should stick with works of literary fiction. So in general, avoid mysteries, fantasies, romance novels, and so on.

If you're looking for ideas, authors and works that have won prestigious prizes like the Pulitzer, Man Booker, the National Book Award, and so on are good choices. Anything you read specifically for your AP literature class is a good choice, too. If you aren't sure if a particular work has the kind of literary merit the College Board is looking for, ask your AP teacher.

When creating your own AP Literature reading list for the student choice free-response, try to pick works that are diverse in author, setting, genre, and theme. This will maximize your ability to comprehensively answer a student choice question about pretty much anything with one of the works you've focused on.

So, I might, for example, choose:

A Midsummer Night's Dream , Shakespeare, play, 1605

Major themes and devices: magic, dreams, transformation, foolishness, man vs. woman, play-within-a-play

Wuthering Heights , Emily Bronte, novel, 1847

Major themes and devices: destructive love, exile, social and economic class, suffering and passion, vengeance and violence, unreliable narrator, frame narrative, family dysfunction, intergenerational narratives.

The Age of Innocence , Edith Wharton, novel, 1920

Major themes and devices: Tradition and duty, personal freedom, hypocrisy, irony, social class, family, "maintaining appearances", honor

Wide Sargasso Sea , Jean Rhys, novel, 1966

Major themes and devices: slavery, race, magic, madness, wildness, civilization vs. chaos, imperialism, gender

As you can see, while there is some thematic overlap in my chosen works, they also cover a broad swathe of themes. They are also all very different in style (although you'll just have to take my word on that one unless you go look at all of them yourself), and they span a range of time periods and genres as well.

However, while there's not necessarily a specific, mandated AP Literature reading list, there are books that come up again and again on the suggestion lists for student choice free-response questions. When a book comes up over and over again on exams, this suggests both that it's thematically rich, so you can use it to answer lots of different kinds of questions, and that the College Board sees a lot of value in the work.

To that end, I've assembled a list, separated by time period, of all the books that have appeared on the suggested works list for student choice free-response questions at least twice since 2003. While you certainly shouldn't be aiming to read all of these books (there's way too many for that!), these are all solid choices for the student choice essay. Other books by authors from this list are also going to be strong choices. It's likely that some of your class reading will overlap with this list, too.

I've divided up the works into chunks by time period. In addition to title, each entry includes the author, whether the work is a novel, play, or something else, and when it was first published or performed. Works are alphabetical by author.

Warning: Not all works pictured included in AP Literature reading list below.

Ancient Works

The Queen of AP Literature surveys her kingdom.

Don't get trapped in a literature vortex!

1990-Present

Don't stay in one reading position for too long, or you'll end up like this guy.

An Addendum on Poetry

You probably won't be writing about poetry on your student choice essay—most just aren't meaty enough in terms of action and character to merit a full-length essay on the themes when you don't actually have the poem in front of you (a major exception being The Odyssey ). That doesn't mean that you shouldn't be reading poetry, though! You should be reading a wide variety of poets from different eras to get comfortable with all the varieties of poetic language. This will make the poetry analysis essay and the multiple-choice questions about poetry much easier!

See this list of poets compiled from the list given on page 10 of the AP Course and Exam Description for AP Lit, separated out by time period. For those poets who were working during more than one of the time periods sketched out below, I tried to place them in the era in which they were more active.

I've placed an asterisk next to the most notable and important poets in the list; you should aim to read one or two poems by each of the starred poets to get familiar with a broad range of poetic styles and eras.

14th-17th Centuries

• Anne Bradstreet
• Geoffrey Chaucer
• George Herbert
• Andrew Marvell
• John Milton
• William Shakespeare*

18th-19th Centuries

• William Blake*
• Robert Browning
• Samuel Taylor Coleridge*
• Emily Dickinson*
• Paul Laurence Dunbar
• George Gordon, Lord Byron
• Gerard Manley Hopkins
• John Keats*
• Edgar Allan Poe*
• Alexander Pope*
• Percy Bysshe Shelley*
• Alfred, Lord Tennyson*
• Walt Whitman*
• William Wordsworth*

Early-Mid 20th Century

• W. H. Auden
• Elizabeth Bishop
• H. D. (Hilda Doolittle)
• T. S. Eliot*
• Robert Frost*
• Langston Hughes*
• Philip Larkin
• Robert Lowell
• Marianne Moore
• Sylvia Plath*
• Anne Sexton*
• Wallace Stevens
• William Carlos Williams
• William Butler Yeats*

Late 20th Century-Present

• Edward Kamau Brathwaite
• Gwendolyn Brooks
• Lorna Dee Cervantes
• Lucille Clifton
• Billy Collins
• Seamus Heaney
• Garrett Hongo
• Adrienne Rich
• Leslie Marmon Silko
• Derek Walcott
• Richard Wilbur

You might rather burn books than read them after the exam, but please refrain.

Key Takeaways

Why do you need to read books to prepare for AP Lit? For three reasons:

#1 : To become familiar with a variety of literary eras and genres #2 : To work on your close-reading skills #3 : To become closely familiar with four-five works for the purposes of the student choice free-response essay analyzing a theme in a work of your choice.

How many books do you need to read? Well, you definitely need to get very familiar with four-five for essay-writing purposes, and beyond that, the more the better!

Which books should you read? Check out the AP English Literature reading list in this article to see works that have appeared on two or more "suggested works" lists on free-response prompts since 2003.

And don't forget to read some poetry too! See some College Board recommended poets listed in this article.

What's Next?

See my expert guide to the AP Literature test for more exam tips!

The multiple-choice section of the AP Literature exam is a key part of your score. Learn everything you need to know about it in our complete guide to AP Lit multiple-choice questions.

Taking other APs? Check out our expert guides to the AP Chemistry exam , AP US History , AP World History , AP Psychology , and AP Biology .

Looking for other book recommendation lists from PrepScholar? We've compiled lists of the 7 books you must read if you're a pre-med and the 31 books to read before graduating high school .

Ellen has extensive education mentorship experience and is deeply committed to helping students succeed in all areas of life. She received a BA from Harvard in Folklore and Mythology and is currently pursuing graduate studies at Columbia University.

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Much Ado About Teaching

Summer reading in ap lit..

A few years ago I revamped my summer reading assignment.

It marked an important departure for me. It was a significant step in my growth as a teacher. I’ll explain why, but first I want to share what I have done in years past.

THE OLD SUMMER READING ASSIGNMENT

My summer assignment has gone through different iterations over the years, but the gist of it has always been that the students had to read two books — How to Read Literature Like a Professor: A Lively and Entertaining Guide to Reading Between the Lines and 1984 — and develop an outline for each. There are many versions of this assignment online. Its probably where I first developed the idea. I must have Googled “ How to Read Literature Like a Professor summer assignment.” A bunch of results came up, and seeing that a lot of other teachers paired Thomas C. Foster’s work with another novel probably validated its worth in my mind.

I liked that both books were accessible and my students could find help online if they needed it.

I liked that I was introducing my students to good literature without ruining their summer with dense texts and mountains of work.

I liked that when students returned from school I could assess them by asking them to apply a chapter from How to Read Literature Like a Professor to 1984 .

I liked that I was doing something to prevent the summer slide.

THE PROBLEM WITH THE OLD ASSIGNMENT

There was nothing pedagogically wrong with my old summer reading assignment. But there were certain things about it that had bothered me over the years:

• Students can easily find summaries of How to Read Literature Like a Professor online ( like this link) .
• Many of my students are not readers of classic literature on their own. In spite of its cheeky humor and tone, they did not have the awareness of texts mentioned in How to Read Literature to fully appreciate the references.
• Students felt that How to Read Literature Like a Professor simplified the process of reading, reducing everything to either a symbol or an allusion.
• The assignment was not thoroughly thought through. It was too simplistic. Basically I was asking students to read and outline. I felt like I was simply following what others were doing without making this assignment a true reflection of my teaching and my goals.
• There wasn’t much feedback I could provide on an outline and consequently little room for growth.

THE GOALS OF SUMMER ASSIGNMENTS

I believe that when students are faced with low-rigor tasks, they create low achievement even when students do well on these tasks. In addition, such tasks contribute to the boredom students so often complain about when they spend too many hours on work that is routine and bland, often centered on discrete skills.

Outlining a text is a low-rigor task. It requires little skill beside extrapolation and summarization.

I want my summer assignments to have what I believe are the three principles of an effective assignment:

1. Effective assignments provide clear expectations about what should be completed, how it should be completed, and why the assignment is important.

I needed to rethink the final part of that criteria. While the original assignment provided clear expectations and walked students through the steps to be completed, it never explained why the assignment was important. When there is no value attached to an assignment, the work can feel like busy work.

Assignment-making requires teachers to clarify what learning is demonstrated and how it can be demonstrated. I needed to answer questions about purpose and relevance: “Why are my students doing this? What greater good will result from this work? As well as, are there significant concepts connected to the curriculum?”

2. Effective assignments are formative, providing feedback that allows teachers to adjust their instruction and scaffold learning.

I also needed to understand how my teaching can be informed by what the students completed. This is where the outlines of the prior assignment failed to be valuable. I was learning nothing about my students nor anything about their thinking.

With the new summer assignment adjustments would I make based on the work that students produced? What was I learning about their reading skills or their writing skills?

Good assignments, whether in the summer or during the school year, should inform instruction, giving teachers a chance to assess skills and modify instruction accordingly.

3. Effective assignments set high expectations and provide pathways to achieve those expectations.

I want the new assignment to communicate high expectations for critical thinking and levels of analysis. I want my students to be challenged no matter what skill sets or content background they bring into the course.

WHAT MY STUDENTS ARE DOING INSTEAD

• I want my students to have a summer experience that is not punitive but is preparatory. I don’t want to punish them with mountains of work or use a summer assignment as a gatekeeper for the class. I want to set a foundation for the enjoyment that comes from reading, thinking, and writing creatively and analytically.
• I want my students to see that great ideas can be expressed in a variety of formats. Therefore, they will read blog articles, watch YouTube videos, and read poems as well as a novel.
• I want them to learn from readers, writers, and thinkers that I admire. I’m not just handing them books and asking them to read them, I want them to observe how others analyze and how others approach the act of writing.  These pieces have the levels of analysis that will promote high expectations for my students.
• I want them to choose the novel they read, not have one assigned to them.
• I want them to have a space of their own creation (their StudyTee Notes) where they will respond to each text that they encounter in thoughtful and diverse ways.

THE SUMMER READING TEXTS

• StudyTee’s Note-Taking Method
• The NerdWriter Analyzes Edward Hopper’s “Nighthawks”
• Leo Babauta’s Why I Read (+ a Dozen Book Recommendations)
• Any novel on this list or this one
• Poetry Foundation’s Poem of the Day

Download the Summer Reading Assignments for Susan Barber and Brian Sztabnik

Concluding thoughts.

I know that I am asking my students to complete somewhat unorthodox summer assignments. They are not being handed a textbook or a stack of novels and asked to complete a series of study guide questions or outlines. There comes a point in a teacher’s career when he or she stops doing things just because everyone else is doing them and strikes out on his or her own path.

And this has been that moment for me.

Instead, I am giving them models of critical thinkers. I am exposing them to a variety of texts across a span of genres. I am giving them the power to choose the novel and poems that they want to read. And it will have clear expectations, an understanding of why each component of the assignment is important, a chance for me to gain formative feedback, and high expectations for success.

Brian Sztabnik is just a man trying to do good in and out of the classroom. He was a 2018 finalist for NY Teacher of the Year, a former College Board advisor for AP Lit, and an award-winning basketball coach.

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Seven Books to Read in the Sunshine

Enjoying literature at a park, a beach, or an open-air café encourages a particular leisurely frame of mind.

As spring takes hold, the days arrive with a freshness that makes people want to linger outside; the balmy days almost feel wasted indoors. While you’re taking in the warm air, you might as well also be reading. Enjoying a book at a park, a beach, or an open-air café encourages a particular leisurely frame of mind. It allows a reader to let their thoughts wander, reflecting on matters that for once aren’t workaday or practical.

Reading outside also takes the particular pleasures of literature and heightens them. The proximity of trees or of other human beings, or the sight of a page illuminated by the sun, can make a character’s search for connection, or a writer’s emotion recollected in tranquility, feel more visceral and alive. And whether you’re reading on a front stoop or on a train station’s bench, being alone yet somehow with others creates a kind of openness to the world.

The books below will suit a variety of outdoor readers, including those who get distracted easily by the hustle and bustle around them and those who want meaty works to dive into. Each one, however, asks us to think about our place in the world or invites us to appreciate beauty, or sometimes both at once—the same sort of perspective we happen to gain outdoors.

The Art of the Wasted Day , by Patricia Hampl

To fully appreciate this book’s defense of luxuriant time-wasting, might I suggest reading it while sprawled on a beach towel or suspended in a hammock? “Lolling,” Hampl argues, is “tending to life’s real business.” She stumps against a particularly American obsession with striving and accomplishment in favor of leisure—a word that comes, by the end of the book, to encompass reading, writing, talking, eating, walking, gardening, boating, contemplative withdrawal, and … lying in hammocks. Fittingly, her case is constructed as an associative meander through literature, her own memories, and the musings they kick up. An anecdote about daydreaming while practicing the piano at her Catholic girls’ school shifts seamlessly into a riff on the true meaning of keeping a diary; she takes trips to Wales, Czechia, and France to see the homes of historical figures who sought lives of repose, particularly Montaigne, whose “sluggish, lax, drowsy” spirit haunts the book. There’s nothing practical about the scraps of experience, passing thoughts, or remembered sensations that make up a life. And yet, Hampl writes, these idle moments we carry with us are “the only thing of value we possess.”

An Immense World , by Ed Yong

The natural world is thrumming with signals—most of which we humans miss completely, as Yong’s fascinating book on animal senses makes clear. Birds can discriminate among hundreds of millions of colors; bees pick out different flowers by sensing their electrical field; elephants communicate over long distances with infrasound rumbles; cows can perceive the entire horizon around them without moving their head. Yong, a former Atlantic staff writer, brings the complexity of animal perception and communication to life with an unmistakable giddiness, because evolution is wild . Catfish, which are covered with external taste buds, are in effect “swimming tongues”: “If you lick one of them, you’ll both simultaneously taste each other,” he explains. But beyond its trove of genuinely fun facts, the book has a bigger project. “When we pay attention to other animals, our own world expands and deepens,” Yong writes. Even parks and backyards become rich, fantastic worlds when we imagine, with the help of scientific research, what it’s like to inhabit the body of a different creature. Take this book outside—its insights will make you see the animals whose world we share with a new precision and wonder.

Read: Please don’t read at the beach

If Not, Winter: Fragments of Sappho , by Sappho, translated by Anne Carson

Hardly any of Sappho’s work survives, and the fragments scholars have salvaged from tattered papyrus and other ancient texts can be collected in thin volumes easily tossed into tote bags. Still, Carson’s translation immediately makes clear why those scholars went to so much effort. Sappho famously describes the devastation of seeing one’s beloved, when “tongue breaks and thin / fire is racing under skin”; the god Eros, in another poem, is a “sweetbitter unmanageable creature who steals in.” Other poems provide crisp images from the sixth century B.C.E.—one fragment reads, in its entirety: “the feet / by spangled straps covered / beautiful Lydian work.” Taken together, the fragments are sensual and floral, reminiscent of springtime; they evoke soft pillows and sleepless nights, violets in women’s laps, wedding celebrations—and desire, always desire. Because the poems are so brief, they’re perfect for outdoor reading and its many distractions. Even the white space on the pages is thought-provoking. Carson includes brackets throughout to indicate destroyed papyrus or illegible letters in the original source, and the gaps they create allow space for rumination or moments of inattention while one lies on a blanket on a warm day.

Samarkand , by Amin Maalouf

No matter where you’re sitting—a hard bench, a crowded park lawn—great historical fiction can whisk you away to a lush, utterly different place and time. Maalouf’s novel tells two stories linked by a priceless book of poetry. The first follows the 11th-century astronomer and mathematician Omar Khayyam as he travels to the cities of Samarkand and Isfahan and records stray verses that will one day become his famous Rubaiyat . In the second, set in the late 19th century, an American named Benjamin Omar Lesage narrates his pursuit of this “Samarkand manuscript,” a quest that takes him to Constantinople, Tehran, and Tabriz. Both men remain devoted to art and love despite the violent political turmoil around them—Omar must deal with power struggles in the imperial Seljuk court and the rise of a terrifying Order of the Assassins; Benjamin lives through Iran’s Constitutional Revolution. Interwoven with this fascinating history are glimpses of bustling market squares and palace gardens, plus legends of conquerors and half-mad kings, all of which make Samarkand vivid enough to compete with the distractions of the world around you.

Read: To get out of your head, get out of your house

The Power Broker , by Robert Caro

Maybe you’re feeling particularly motivated: You’ve found a prime spot on an underappreciated patio or a secluded beach, and you’re ready to spend the summer there, immersed in a single monumental work sturdy enough for multiple outings. Why not tackle this classic biography of Robert Moses, the 20th-century urban planner and New York City political insider, whose more than 1,000 pages will last you the entire season? The Power Broker charts Moses’s rise from an idealistic reformer of municipal government to a vindictive public official who was personally responsible for building hundreds of green spaces, roads, bridges, and housing projects that utterly changed New York’s landscape—often to the detriment of its citizens. Caro organizes his book around a careful account of Moses’s power: how he got it, kept it, and accumulated such stores of it that he became unanswerable even to the mayors and governors he ostensibly served. The book manages to make the dry business of an endless array of park councils and bridge authorities riveting, and it offers sobering lessons on how a single unelected official—particularly one as racist, classist, and arrogant as Moses—can wreak havoc on those without power.

Adèle , by Le ila Slimani

Adèle , a story about a woman’s insatiable appetites, is easy to devour. It’s twisty, a little dark, and very absorbing, told in cool, inexorable prose stripped of ornament but full of psychological depth. It is, in other words, the perfect literary beach read—a book riveting enough to keep you turning pages when your brain is in vacation mode, and written with a care that adds to the story’s pleasure. The novel’s title character seems bent on destroying the trappings of her perfect life: Adèle has sex with her boss at the newspaper where she performs her work half-heartedly, starts an affair with a friend of her solid but sexless gastroenterologist husband, and invites men to her large apartment in Paris’s 18th arrondissement. But her dalliances are oddly unsatisfying. She recoils, during one episode, from “the banality of a zipper, the prosaic vulgarity of a pair of socks.” The book’s dramatic tension comes in part from the increasing untenability of her hidden life. Below the level of plot lurks the question of what Adèle is really after, and one can’t help but race through the book, mining each page for tantalizing clues. Is it “idleness or decadence” she wants? Or is her compulsion “the very thing that she thinks defines her, her true self”?

Read: Eight books that will take you somewhere new

O Pioneers! , by Willa Cather

This novel, set in the closing decades of the 19th century and suffused with the wide-open lushness of the Nebraska prairie, practically demands to be read in the open air. When her father dies, Alexandra Bergson is entrusted with the family farm and soon becomes prosperous, thanks to some canny risk-taking and her near-mystical identification with the land. Her happiest days, Cather writes, come when she’s “close to the flat, fallow world about her” and feels “in her own body the joyous germination in the soil.” That’s a joy that pervades the book, despite a subplot involving an illicit romance that ends in tragedy. We’re treated to intoxicating descriptions of cherry trees, their branches “glittering” after a night of rain, and the air “so clear that the eye could follow a hawk up and up, into the blazing blue depths of the sky.” The book’s short length is perfect for whiling away an afternoon, perhaps under a tree on a sun-drenched day—the better to appreciate a pivotal scene set in an orchard “riddled and shot with gold.”

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The 24 Best Beach Reads of 2024

Just you, the sand, the sun, and the latest in thrillers, killers, and love

In a list like the one below, genre really gets to shine, from thrillers (see: Amy Tintera’s Listen for the Lie or Alyssa Cole’s inventive One of Us Knows ) to romances (Ashley Poston’s A Novel Love Story ) to crime fiction (Tana French’s The Hunter ). Sometimes great beach reads are also set in vacation towns during the summer months, like Swan Song , the final novel in Elin Hilderbrand’s Nantucket series, or Carley Fortune’s electric This Summer Will Be Different . That’s a real thrill—it’s like double vacation. Below, find 24 vastly different stories that will keep you entertained, moved, and engrossed all the way to Labor Day.

Good Material , by Dolly Alderton

Dolly Alderton , a British author with a growing U.S. following, writes a funny book. Her second novel (and third book overall) begins with a breakup. Jen ends things with Andy, which pitches him into a lovelorn fit, searching for the why of it all. Andy, 35, is a stand-up comedian whose agent is ghosting him and who can’t find friends who have time for him. (They’re dedicating all their previous hangout time to raising their young families.) This one is for those who love Nora Ephron, Nick Hornby, and Hugh Grant’s early work.

Come and Get It , by Kiley Reid

Kiley Reid’s follow-up to New York Times bestseller Such a Fun Age takes us back to the heady, hazy days of 2017. In Come and Get It , Millie Cousins is a resident assistant at the University of Arkansas who dreams of buying a house after graduation. Agatha Paul is a visiting professor writing a book about weddings. Agatha’s and Millie’s paths cross when the academic heads to the dorms to interview students, ends up fascinated with how the young women talk about money, and ultimately pays Millie to let her eavesdrop from her dorm room. This is a book about how money shapes people’s lives, and it’s for you if you enjoy a character-driven narrative in which everyone introduced comes with an elaborate backstory.

The Women , by Kristin Hunter

This book will pull on your heartstrings. Opening in the mid-1960s, during the Vietnam War, and spanning two decades, it follows Frankie McGrath, who joins the Army Nurse Corps. Thrown into the war-torn jungle, she must watch young men die and is forced to build relationships to help endure the pain. It’s a heavy, emotional book that you won’t be able to put down. It’s also a story will stay with you long after you’ve finished reading.

Leaving , by Roxana Robinson

Former college flames Warren and Sarah meet at the opera after years (and marriages) have gone by. This second meeting at age 60 sparks something in both of them, but exploring a relationship is not as simple as it once was. Warren is still married, and he and Sarah both have grown children with opinions. Though he seems ready to leave his wife, Sarah feels conflicted, having gone through a difficult divorce herself. Leaving delves beautifully into what families are to each other and what’s owed to them, love in our later years, and how to balance passion and morality.

The Hunter , by Tana French

Cal Hooper left the Chicago PD to live a quiet life in the tiny town of Ardnakelty in western Ireland. He found a girlfriend, Lena, and took in a mess of a teenager, Trey. But just as Cal has guided the young woman onto a decent path, her father—a charmer and a cad—returns home with a posh Englishman. He’s plotting to strike it rich, while Trey is plotting her revenge. A couple of caveats to know going in: The Hunter has a different, more winding tone than French’s beloved Dublin Murder Squad series, and it behooves the reader to tackle her first book about Cal, 2015’s The Searcher , prior to picking up this one.

Anita de Monte Laughs Last , by Xochitl Gonzalez

If you couldn’t look away from the relationship dynamics explored in A Star Is Born or Anatomy of a Fall , you’ll want to read Xochitl Gonzalez’s new one, Anita de Monte Laughs Last . Raquel Toro arrives at Brown in 1998 to find the famously crunchy Ivy is still a bastion of wealth and whiteness. Raquel, from a Puerto Rican working-class background, pursues her thesis in art history by researching a promising young Cuban-American artist who died in 1985 under mysterious circumstances. As she discovers more about Anita de Monte and the dead woman’s tricky romantic relationship with Jack Martin—a fellow artist, philanderer, and Anita’s biggest critic—Raquel begins to see parallels with her own work and relationship. Well paced, entertaining, and full of flights of fancy, this story about tragic power dynamics and dueling careers is heavy but flies by.

Queen Charlotte , by Julia Quinn and Shonda Rhimes

Yes, this book was reverse-engineered from last year’s prequel spin-off of Bridgerton , the immensely popular Netflix series adapted by Shonda Rhimes’s company from Julia Quinn’s novels—but with such good source material, it would be a mistake not to adapt the show into a book perfect for the lazy, hazy days of summer. As in the show, this one—out now in paperback—begins when Lady Charlotte of Mecklenburg-Strelitz arrives at the court of King George III to marry him. As the headstrong new queen is adjusting to her fresh life in a strange palace, she discovers a dark secret about the husband she’s just met.

The House of Hidden Meanings: A Memoir , by RuPaul

RuPaul—a name synonymous with drag—tells the story of his life, from sticking out like a queer thumb in San Diego all the way to finding both sobriety and love with his husband, Georges LeBar. It’s less a celebrity memoir revealing decades-old gossip from a safe vantage point, and more a searching examination of Ru’s road to self-acceptance. Heady stuff indeed, but chock-full of the longtime star’s wit and humor.

Listen for the Lie , by Amy Tintera

What happens when a wildly popular podcast and its enigmatic, handsome host begin to investigate the mystery of your best friend’s murder—in which you are the prime suspect? The story of Texas sweethearts Savvy and Lucy—one murdered, the other unsure if she did it or not—is one of those totally engrossing reads that will have you looking up from your beach chair every once in a while to say, “Oh, that’s right. I’m at the beach.”

Selling the Dream: The Billion-Dollar Industry Bankrupting Americans , by Jane Marie

Jane Marie hosts popular podcast The Dream , an investigation into pyramid schemes and multi-level marketing companies that have been embedded in the United States for decades—and in this nonfiction book, she’s put it all down on paper. Her exploration of MLMs—and how they trap people in working-class communities, enriching those at the top and leaving those at the bottom poorer than they were before—is a wide-reaching, well-researched, look at a business structure most Americans eventually rub up against, either directly, through a friend or family member, or indirectly, through the powerful politicians who’ve built their wealth on MLMs.

Kill for Me, Kill for You , by Steve Cavanagh

Kill for Me, Kill for You is about two grieving women, Wendy and Amanda, who meet in New York and realize they have a lot in common. They’ve both suffered unimaginable tragedies, and they’d really like to get revenge on the men who harmed them and their families. Over drinks, they make a pact: Each will kill the other’s tormentor. It’s like Patricia Highsmith’s Strangers on a Train if both parties were into the revenge idea. For readers drawn to white-knuckle plots and unpredictable twists, this one won’t disappoint.

Just for the Summer , by Abby Jimenez

Emma Grant meets Justin Dahl thanks to an “Am I the Asshole?” post he wrote on Reddit, in which he described a curious “curse,” under which the women he dates all seem to leave him and then immediately find the loves of their life. Emma has the same problem. The two hatch a plan to break the curse by dating each other: They’ll give it a go for just four dates (the number it usually takes for women to break up with Justin) over the course of a month (the length of time Emma’s relationships typically last), and then split. It won’t surprise you to learn it’s not quite that simple.

Sociopath: A Memoir , by Patric Gagne

Consider, for your spring break reading, a different kind of memoir: Patric Gagne realized from an early age that she wasn’t like other girls. She didn’t feel fear or guilt. Empathy eluded her. Eventually, she learned of a diagnosis that explained her lack of certain emotions (and also the behaviors she dabbled in, trying to fill in that void, like stealing cars and lying): She’s a sociopath. But Gagne didn’t like how people like her have been portrayed in the media, nor did she care for the grim prognosis for living a happy life as a sociopath. When an opportunity to love presents itself, she begins to hope that she is more than her diagnosis, and that may be able to change the world’s perception of people like her.

One of Us Knows , by Alyssa Cole (April 16)

When Kenetria Nash was diagnosed with dissociative identity disorder (colloquially known as multiple personality disorder), it stalled her career in historic preservation. At the start of this story, Ken has been dormant for six years while her alters fronted for her—and when she wakes up, she’s on a dock with some luggage. She discovers she’s taken a job as a caretaker of a historic home on an island in the Hudson River. As she attempts to piece together how she got there and what has been happening in the world over the last few years, mysteries arise both within Ken and in the house. Then a group comes to stay, one of them ends up murdered, and she is blamed. The unusual premise works well in Cole’s capable hands, and she writes about DID with human nuance. One of Us Knows will certainly keep your heart beating while you’re relaxing by the shore.

Funny Story , by Emily Henry (April 23)

The inimitable Emily Henry is back with a story of opposite attraction and fake relationships. Funny Story tells the tale of Daphne, who was engaged to Peter—until they moved to his hometown in Michigan, where he realized he was in love with Petra, his childhood friend. The polished Daphne decides to move in with Petra’s ex, the disorganized and slightly unkempt Miles. Daphne and Miles then fake a relationship until they potentially, maybe, you’ll-have-to-read-to-find-out-if-they make it.

Silk , by Aarathi Prasad (April 30)

Silk is known as the queen of fibers. Its sheen is alluring, beautiful, and slippery, and it has a rich, rich history. Allow researcher Aarathi Prasad—who has a PhD in molecular genetics—to walk you through that history, how silk is made, and how it has been used across cultures. It’s a mix of science, history, and textiles that will teach more about the alluring fabric than you’d ever think you could know.

This Summer Will Be Different , by Carley Fortune (May 7)

Carly Fortune is a growing voice in the world of perfect beach reads, and This Summer Will Be Different is one of her best so far. In it, she takes her readers to the coastal Northeast—beautiful Prince Edward Island. On vacation there, Lucy discovers her electrifying chemistry with a local man named Felix—before discovering Felix is the brother of her best friend, Bridget. That only makes her subsequent annual visits more complicated. What’s so great about this novel is that it’s a story about friendship as much as it is about a forbidden kind of love. (Your best friend’s brother? Has someone ever been more off-limits?)

Last House , by Jessica Shattuck (May 14)

This one is for readers who like to immerse themselves in a decades-long, multigenerational familial saga while their toes dangle in the sand. Over most of a century, Last House explores the American empire after World War II through one man’s pursuit of oil and how his family contends with the legacy made from the stuff. Jessica Shattuck is a best-selling author, and this novel, like her others, both moves and is incredibly moving.

Housemates , by Emma Copley Eisenberg (May 28)

Here’s one for the road-tripping vacationers: Bernie, a photographer, answers writer Leah’s ad for a housemate, and they develop a friendship. When Bernie’s photography professor dies and leaves her a surprise inheritance, the roomies leave their home in Philadelphia to drive to his place in rural Pennsylvania, meeting an engaging cast of characters along the way. It’s a genuine book about art, love, friendship, chosen family, and America in this moment.

Swan Song , by Elin Hilderbrand (June 11)

Elin Hilderbrand is the doyen of the beach read, the queen of all things sun, fun, and intrigue, one of the best to ever do it,and Swan Song is the cleverly titled final installment of her popular Nantucket series. It’s a stranger-comes-to-town tale, and these particular strangers—the Richardsons—are mysterious, wealthy, and mysteriously wealthy. No one seems to know how they made their money. When the lavish summer home they bought for $22 million burns to the ground and a woman goes missing, the town is obviously upset. You’ll see all your old favorite characters from the previous Nantucket novels, and this final act is chock-full of all Hilderbrand’s hallmarks, from family drama to romance.

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St. Mary’s community offers up summer reading options

Home » Gold & Blue Magazine » St. Mary’s community offers up summer reading options

by Nathaniel Miller

It’s a hot book summer and these books, all written by St. Mary’s University alumni, range from poetry to a collection of columns, highlighting the vast talents and experiences of the University community.

Somos Nopales Eddie Vega (B.A. ’99), pictured above on left  Flowersong Press, 2024 

The San Antonio Poet Laureate’s latest book of poetry has been described as beautiful, powerful and a little bit chingón. Serving as a tour of Vega’s journey as the son of an immigrant parent, the book navigates a world where cultures collide and co-mingle.  

More Finish Lines to Cross: Notes on Race, Redemption, and Hope Cary Clack (B.A. ’85), pictured above on right Trinity University Press, 2024 

As a San Antonio Express-News columnist, Clack has written on numerous topics. His latest book is a collection of columns since returning to the newspaper in 2019, including the topics of politics and national and global news with a local perspective.  

95 Power Principles: Strategies for Effective Leadership in Local Government The Hon. Nelson W. Wolff (B.B.A. ’66, J.D. ’66), University Distinguished Service Professor  Elm Grove Publishing, 2023 

If you’re looking for a word of advice on how to be a better leader in local government (building on the University’s focus on servant leadership), Wolff has 95 of them, drawing on his decades of experience in state and local government.  

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More from the Spring 2024 Issue

Law alumnus goes from academic struggles to top Dallas attorney

After his first semester at St. Mary’s Law, C. Gregory Shamoun’s GPA was below what was required to continue. Undeterred, Shamoun not only raised his GPA, but graduated and became a sought-after attorney in Dallas.

Alumnus leads international legal transactions in Mexico, philanthropic efforts at home

Many may see Alex Pérez (J.D. ’96) as an international attorney, a tax law expert or a leader in San Antonio’s philanthropic efforts as the San Antonio Area Foundation’s board chair. But he views himself, fundamentally, as an interpreter.

Urban litigator brings small-town values to practice

Julia Mann (J.D. ’94) has held just about every job one could have at a law firm. She is the managing partner of Jackson Walker LLP’s San Antonio office and as a high school student, worked at the law firm of her father's office in Lake Jackson.

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Associate Dean makes humanitarian causes her career mission

St. Mary's Law Associate Dean Ramona Lampley inspired much of her legal work on preventing forced labor in international supply chains.

The Rev. Brandon Paluch revels in role at St. Mary’s University 

Before he began to consider becoming a Marianist, the Rev. Brandon Paluch, S.M., learned the foundations of ministry on the golf course.  

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For information on submitting an obituary, please contact Reading Eagle by phone at 610-371-5018, or email at [email protected] or fax at 610-371-5193.

Most obituaries published in the Reading Eagle are submitted through funeral homes and cremation services, but we will accept submissions from families. Obituaries can be emailed to [email protected] .

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US Postal Service seeking to hike cost of…

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More oley valley school officials resign; community members hold protest, us postal service seeking to hike cost of first-class stamp to 73 cents.

WASHINGTON (AP) — The U.S. Postal Service signaled plans Tuesday for a rate increase that includes hiking the cost of a first-class stamp from 68 cents to 73 cents, part of an overall 7.8% increase to take effect this summer.

The request was made to the Postal Regulatory Commission, which must approve the proposed increase that the Postal Service contends is necessary to achieve financial stability. If approved, the 5-cent increase for a “forever” stamp and similar increases for postcards, metered letters and international mail would take effect July 14.

U.S. Postmaster General Louis DeJoy previously warned postal customers to get used to “uncomfortable” rate hikes as the Postal Service seeks to become self-sufficient. He said price increases were overdue after “at least 10 years of a defective pricing model.”

In its filing, the Postal Service said it’s also seeking price adjustments on special services such as money order fees and certified mail. But there will be no price increase for post office box rentals, and postal insurance will be reduced by 10% when items are mailed, the postal service said.

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